NEW IB ENGLISH LITERATURE COURSE BD SOMANI INTERNATIONAL SCHOOL MUMBAI. EMAIL andrew.callahan@bdsint.org (Please note this site uses Google cookies in compliance with EU Law. By using this site you accept that cookies are used here.)
Wednesday, 12 December 2018
Wednesday, 5 December 2018
Tuesday, 4 December 2018
Sunday, 2 December 2018
Wednesday, 28 November 2018
Saturday, 17 November 2018
Tuesday, 13 November 2018
SEAMUS HEANEY POEMS ON YOUTUBE ANALYSIS - SEE LINK under video
MORE VIDEOS ON HEANEY ON YOUTUBE CHANNEL GANDHI AND KING
https://www.youtube.com/watch?v=dOx4S2IJhaU&list=PL2258sRS6Iz7TmGHyI8_z3JAyxyUMNRYj&index=1
Sunday, 11 November 2018
Thursday, 25 October 2018
Wednesday, 24 October 2018
Tuesday, 23 October 2018
Monday, 22 October 2018
Tuesday, 16 October 2018
Wednesday, 10 October 2018
Friday, 5 October 2018
Wednesday, 3 October 2018
Monday, 24 September 2018
Sunday, 23 September 2018
Thursday, 20 September 2018
Wednesday, 19 September 2018
Tuesday, 18 September 2018
Tuesday, 11 September 2018
Language, Structure & Form Explained (part 1: Shakespeare) Part 2 Poetry - Not IB but still very useful.
Above Mr Bruff deals with Structure and Form in Shakespearean drama.
Below Mr Bruff deals with the difference between structure and form in poetry.
Monday, 10 September 2018
Friday, 7 September 2018
Thursday, 6 September 2018
Wednesday, 5 September 2018
Tuesday, 4 September 2018
What is Psychological Criticism?
In "Regeneration" by Pat Barker, Dr Rivers is a fictional character who is using psychiatry to help his patients recover from the trauma of the war.
The setting for the novel is Craiglockhart Mental Hospital Scotland.
Adolf Hitler's Childhood: From Hidden to Manifest Horror
Dr Alice Miller's Chapter on Hitler
http://www.nospank.net/fyog13.htm
Below video on Sigmund Freud. Some ideas here may disturb some viewers but remember they are only theories.
BELOW - the strange man who became a terrorist - THE UNABOMBER - IQ 167 - what went wrong?
Monday, 3 September 2018
Sunday, 26 August 2018
GRADE 11 'Aftermath' by Siegfried Sassoon WORLD WAR 1 POETRY
Siegfried Sassoon - Aftermath
HAVE you forgotten yet? ...
For the world's events have rumbled on since those gagged days,
Like traffic checked a while at the crossing of city ways:
And the haunted gap in your mind has filled with thoughts that flow
Like clouds in the lit heavens of life; and you're a man reprieved to go,
Taking your peaceful share of Time, with joy to spare.
But the past is just the same - and War's a bloody game...
Have you forgotten yet? ...
Look down, and swear by the slain of the War that you'll never forget.
Do you remember the dark months you held the sector at Mametz -
The nights you watched and wired and dug and piled sandbags on parapets?
Do you remember the rats; and the stench
Of corpses rotting in front of the front-line trench -
And dawn coming, dirty-white, and chill with a hopeless rain?
Do you ever stop and ask, 'Is it all going to happen again?'
Do you remember that hour of din before the attack -
And the anger, the blind compassion that seized and shook you then
As you peered at the doomed and haggard faces of your men?
Do you remember the stretcher-cases lurching back
With dying eyes and lolling heads - those ashen-gray
Masks of the lads who once were keen and kind and gay?
Have you forgotten yet? ...
Look up, and swear by the slain of the war that you'll never forget!
Wednesday, 15 August 2018
GRADE 12 - How to aim for a 7 on IB Lit Written Assignment
These videos have excellent suggestions.
Please note the IBO has introduced new rules on the use of STUDENT ID numbers on the essay. I will explain these rules in class.
Monday, 13 August 2018
Friday, 10 August 2018
Wednesday, 8 August 2018
Tuesday, 7 August 2018
GRADE 11 STUDENTS OF MR C AUGUST 2018- MAY 2020 - First Quarter Topics and Assessment.
(3 IOP TEXTS)
Note this blog will work in conjunction with Google Classroom and turnitin.com to provide extended independent learning and feedback beyond the classroom.
Students must read the first two texts at home in August.
"Ulysses" will be read in class in the first quarter and at home in the second quarter.
August 8-31st TEXT 1
978-0-143-02857-4 The God of Small Things Roy Penguin India
ISBN-10: 0141182806 ISBN-13: 978-0141182803
Do not expect us to read entire books in class. This is not possible in IB Literature HL which is really a pre-university programme with the complexity of first year college literature programmes.
September 3-29th TEXT 2
REGENERATION PAT BARKER Penguin UK (1 June 2008)
Ongoing August - December
TEXT 3
Ulysses JAMES JOYCE Penguin UK (28 March 2000)
ISBN-10: 0141030933
ISBN-13: 978-0141030937
ASSESSMENT - Formative Assessment in class through discussion and short assignments. Summative assessment through written work during the first quarter on texts 1 and 2.
Other Topics: Introduction to Literary Theory and application of those skills through practice and assessment.
Paper 1 Unseen Text Literary Essay Practice.
Resources - Prof Culler's book on Literary Threory
Mr Hoye's website and click on CRITICAL THEORY in the margin. Click on this link
http://mrhoyesibwebsite.com/
First homework - Read the different versions of LITTLE RED RIDING HOOD on Mr Hoye's website. Be prepared to come to class and explain what you learned to the class.
Second Homework - Write a short report of 200 words on the ideas of Derrida regarding Deconstruction.
September - Third Homework - Essay on "The God of Small Things"
September - Fourth Homework - Essay on "Regeneration" by Pat Barker - World War 1 Poetry.
Sunday, 22 July 2018
Monday, 21 May 2018
Ariel Dorfman and "Death and the Maiden"
Thank you to the Khan Academy who posted this very informative video on youtube. It's interesting that General Pinochet was willing to kidnap General Shneider even though Shneider was opposed to Allende's Marxist policies. He supported the democratic process but the fear of Allende's communist views prompted his kidnapping and death.
Sunday, 20 May 2018
Tuesday, 15 May 2018
Tuesday, 8 May 2018
Waiting for Godot full play and links to great essay questions.
Thanks to a teacher in Zurich who has posted excellent essay titles on this website:
https://ibenglishliterature.wordpress.com/about/external-assessment/paper-2/waiting-for-godot/godot-essay-questions/
Sunday, 6 May 2018
Friday, 4 May 2018
They Say She Must Be From Another Country
THEY’LL SAY: ‘SHE MUST BE FROM ANOTHER COUNTRY’
When I can’t comprehend
why they’re burning books
or slashing paintings,
when they can’t bear to look
at god’s own nakedness,
when they ban the film
and gut the seats to stop the play
and I ask why
they just smile and say,
‘She must be
from another country.’
When I speak on the phone
and the vowel sounds are off
when the consonants are hard
and they should be soft,
they’ll catch on at once
they’ll pin it down
they’ll explain it right away
to their own satisfaction,
they’ll cluck their tongues
and say,
‘She must be
from another country.’
When my mouth goes up
instead of down,
when I wear a tablecloth
to go to town,
when they suspect I’m black
or hear I’m gay
they won’t be surprised,
they’ll purse their lips
and say,
‘She must be
from another country.’
When I eat up the olives
and spit out the pits
when I yawn at the opera
in the tragic bits
when I pee in the vineyard
as if it were Bombay,
flaunting my bare ass
covering my face
laughing through my hands
they’ll turn away,
shake their heads quite sadly,
‘She doesn’t know any better,’
they’ll say,
‘She must be
from another country.’
Maybe there is a country
where all of us live,
all of us freaks
who aren’t able to give
our loyalty to fat old fools,
the crooks and thugs
who wear the uniform
that gives them the right
to wave a flag,
puff out their chests,
put their feet on our necks,
and break their own rules.
But from where we are
it doesn’t look like a country,
it’s more like the cracks
that grow between borders
behind their backs.
That’s where I live.
And I’ll be happy to say,
‘I never learned your customs.
I don’t remember your language
or know your ways.
I must be
from another country.’
© Imtiaz Dharker
From: I Speak for the Devil
Publisher: Penguin Books India, 2003
ISBN: 014-303089-2
Thursday, 26 April 2018
Wednesday, 25 April 2018
Tuesday, 24 April 2018
IOP HL LIST APRIL 24TH 2018
- Saniyya Aggarwal: The Road
- Farhan Mistry: The Road
- Devansh Gupta: The Road
- Aryan Khanna: The Road
- Tarini Tiwari: Enduring Love
- Alisha Vohra: The Road
- Arianna Patel: The Road
- Avanti Sheth: The God of Small Things
- Milena Waelde: The God Of Small Things
- Vipasha Shah: Pending.
Monday, 16 April 2018
Sunday, 15 April 2018
Friday, 13 April 2018
Thursday, 12 April 2018
GRADE 12 ADDITIONAL SUPPORT CLASSES -
Students are encouraged to come in pairs or small groups
Students are welcome to make appointments for extra support especially in small groups with topics requested by email in advance😀
Students are welcome to make appointments for extra support especially in small groups with topics requested by email in advance😀
- MONDAY 3PM - 430PM
- TUESDAY 12 NOON -130PM
- WEDNESDAY 2PM - 430PM
- THURSDAY 1030am -130pm
- FRIDAY 1030am -1230am
Wednesday, 11 April 2018
Monday, 9 April 2018
Sunday, 8 April 2018
Friday, 6 April 2018
EXTENDED ESSAY STUDENTS DIPLOMA CLASS OF 2019
- MILENA DISGRACE COETZEE
- SANIYYA THE COLLECTOR
- ZAHIR THE RELUCTANT FUNDAMENTALIST
- ARIESA BURNT SHADOWS
IOP TEXTS HL GROUP
- Saniyya Aggarwal: The Road
- Farhan Mistry: The Road
- Devansh Gupta: The Road
- Aryan Khanna: The Road
- Tarini Tiwari: Enduring Love
- Alisha Vohra: The Road
- Arianna Patel: The Road
- Avanti Sheth: The God of Small Things
- Milena Waelde: The God Of Small Things
- Vipasha Shah: Pending.
Thursday, 5 April 2018
IOP TEXTS SELECTED BY GRADE 11 SL Starting Thursday May 3rd
JAI VIR - ENDURING LOVE
Amartya and Anshul- The Road- Creative- Extra Scene
Ariesa - Enduring Love- Creative - Extra scene
Harnoor - The Road - Analytical
Jayna - The Road - Analytical with elements of creative
Neha-The God of Small Things- Creative- Monologue -PREMISE GOST - Extra scene - Mamachi recites a monologue reflecting on her life through the year.
Shwetha with Diva and Saumya- Enduring Love- Creative- Jed and Joe extra scene
Saumya with Diva and Swetha - Enduring Love- Creative- Jed and Joe extra scene
Avantica - The Road - Creative
Zahir - The Road - Creative
Param- The Road
Anshul and Amartya- The Road- Creative- Extra Scene
Amartya and Anshul- The Road- Creative- Extra Scene
Ariesa - Enduring Love- Creative - Extra scene
Harnoor - The Road - Analytical
Jayna - The Road - Analytical with elements of creative
Diva with Saumya and Swetha - Enduring Love- Creative- Jed and Joe extra scene
Neha-The God of Small Things- Creative- Monologue -PREMISE GOST - Extra scene - Mamachi recites a monologue reflecting on her life through the year.
Shwetha with Diva and Saumya- Enduring Love- Creative- Jed and Joe extra scene
Saumya with Diva and Swetha - Enduring Love- Creative- Jed and Joe extra scene
Avantica - The Road - Creative
Zahir - The Road - Creative
Param- The Road
Anshul and Amartya- The Road- Creative- Extra Scene
Tuesday, 3 April 2018
Monday, 26 March 2018
Orwell and Beckett understood the importance of language as both communication and misdirection.
Protester attacked while leaving Trump rally - can Beckett and Orwell help us understand how the manipulation of language can deliberately mislead others?
Is language a form of communication to help us understand each other better or is it a form of power and control?
In our time is language being used in an inflammatory way to provoke feelings of difference and hatred of those with whom we disagree?
Thursday, 22 March 2018
LITERATURE - Samuel Beckett
WHY DOES BECKETT HIGHLIGHT THE DIFFERENT VERSIONS OF MATTHEW, MARK, LUKE AND JOHN regarding the death of Jesus?
What is the story of the Two Thieves on the Cross during the CRUCIFIXION of Jesus on the Cross?
Beckett's characters discuss why some of the 4 Evangelists (writers of the gospels, do not even mention this popular story of the repentant thief and the unrepentant thief.)
In the aftermath of World War 2, philosophers and writers search for truth and meaning.... but even holy books do not agree on ONE GRAND NARRATIVE ..... narratives are fragmented and more personal ..... we cannot trust grand narratives....
WAITING FOR GODOT
Wednesday, 21 March 2018
Oleanna (Play) Plot & Characters | StageAgent
Oleanna (Play) Plot & Characters | StageAgent: Oleanna plot summary, character breakdowns, context and analysis, and performance video clips.
Tuesday, 20 March 2018
Monday, 19 March 2018
Thursday, 15 March 2018
Chapman University Center for Creative Writing - The John Fowles Center.
https://www.chapman.edu/research/institutes-and-centers/john-fowles-center/index.aspx
John Fowles Center for Creative Writing
- and Centers
- »John Fowles Center
John Fowles Center for Creative Writing
Wednesday, 14 March 2018
Sunday, 11 March 2018
Tuesday, 27 February 2018
Sunday, 25 February 2018
Wednesday, 14 February 2018
Monday, 12 February 2018
Friday, 9 February 2018
Friday, 2 February 2018
Monday, 29 January 2018
Sunday, 28 January 2018
Sunday, 21 January 2018
Friday, 19 January 2018
Wednesday, 17 January 2018
Wednesday, 10 January 2018
Sunday, 7 January 2018
Waiting for Godot PLAY TO FILM AND MICHAEL SINCLAIR ESSAY ON GODOT.
CLICK BELOW FOR MICHAEL SINCLAIR EXCELLENT ESSAY ON "WAITING FOR GODOT"
http://www.samuel-beckett.net/L2BeckEssay.html
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Well done everyone who has commented! I will be in Room 9 tomorrow Tuesday if you need to see me during lunch break. You can also talk ...
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'In The Line of Fire" by Pervez Musharaff and "The Attack" by Yasmina Khadra, "The White Tiger" by Aravind Adi...