Wednesday, 8 November 2017

Thursday, 28 September 2017

Seamus Heaney: 'Storm on the Island'



Storm on the Island

We are prepared: we build our houses squat,Sink walls in rock and roof them with good slate.The wizened earth had never troubled usWith hay, so as you can see, there are no stacksOr stooks that can be lost. Nor are there treesWhich might prove company when it blows fullBlast: you know what I mean - leaves and branchesCan raise a chorus in a galeSo that you can listen to the thing you fearForgetting that it pummels your house too.But there are no trees, no natural shelter.You might think that the sea is company,Exploding comfortably down on the cliffsBut no: when it begins, the flung spray hitsThe very windows, spits like a tame catTurned savage. We just sit tight while wind divesAnd strafes invisibly. Space is a salvo.We are bombarded by the empty air.Strange, it is a huge nothing that we fear.

Vocabulary

WordsDescription
wizened (line 3)dried up, shrivelled
stacks / stooks (lines 4/5)haystacks / shocks of corn sheaves
strafes (line 17)bombards, harasses with artillery shells
salvo (line 17)simultaneous firing of artillery
http://www.bbc.co.uk/schools/gcsebitesize/english_literature/poetheaney/stormontheislandrev2.shtml

Wednesday, 30 August 2017

GRADE 11 HL and SL - FUN ORAL QUIZ GOD OF SMALL THINGS CLASS THURSDAY 31ST - see Edupage Thursday class

Hi Students of Grade X1 HL and SL
This is my Lesson for tomorrow Thursday.
The class will be divided into two teams for an oral quiz - no written test. ONLY CHAPTER 1 so quite easy to prepare for actually.
I have put the details on edupage for tomorrow's class as a homework but I think of it more as a fun student centred learning activity 😊

Resources

http://www.nytimes.com/books/first/r/roy-god.html?mcubz=0       (Link to Chapter One of GOST online - this is all you need to study for quiz)
However by now you should have read most or all of the book :)

This second link below has a great summary and character profile and themes of the book.


Oral Quiz working in teams and groups 

Sunday, 27 August 2017

Monday, 21 August 2017

Martin Luther King Jr I Have A Dream speech with text




An annotated version of I HAVE A DREAM - 
CLICK ON LINK BELOW
https://genius.com/Martin-luther-king-jr-i-have-a-dream-annotated

BIRMINGHAM ALABAMA CHURCH BOMBING - MLK FUNERAL EULOGY FOR 4 LITTLE GIRLS.


From left, 11-year-old Denise McNair and 14-year-olds Carole Robertson, Addie Mae Collins and Cynthia Wesley were killed while attending Sunday services. Three Ku Klux Klan members were later convicted of murder.

4 LITTLE GIRLS MURDERED BY KKK MEMBERS IN A RACIST BOMB ATTACK ON AN AFRICAN-AMERICAN CHURCH IN BIRMINGHAM ALABAMA.


CLICK ON THE LINK BELOW FOR THE CNN STORY 

http://edition.cnn.com/2013/06/13/us/1963-birmingham-church-bombing-fast-facts/index.html


Above remembering tragedy using dance - below a first hand memory of the original funeral and the speech (funeral eulogy) Dr Martin Luther King.

Below - student created summary of Civil Rights Movement.

Monday, 22 May 2017

Professor Edith Hall on Euripides' Medea




Click on link below for Prof Edith Hall's web page and many articles on the broader topics of Ancient Greek Drama.
http://edithhall.co.uk/articles

Wednesday, 10 May 2017

Waiting for Godot at San Quentin

This is part of a documentary made at the set up of a theater production, played by prisoners, at San Quentin State Prison in California. The play was open to the public and premiered 1988.



This unique video has not been on show before.

Director John Reilly

Produced by John Reilly and Global Village for the Beckett Project

Vladimir: Donald James

Estragon: Reginald Wilson

Pozzo: Spoon Jackson

Director: Jan Jönsson (Sweden)



""Godot in San Quentin" (1987) documents the production of "Waiting for Godot" by a cast of inmates from San Quentin Prison. Producer and director John Reilly and a crew spent four weeks at the maximum-security facility; rehearsal and performance sequences are intercut with footage of daily prison life and discussions with the principal characters.

Reilly has said that the inmates "do not `act' because they are not trained actors, but they feel the parts because they have lived the lives of Beckett's characters."

The Chicago Tribune http://articles.chicagotribune.com/19...



Read the story about the theater production from the point of view of one of the actors Spoon Jackson in: "By Heart, Poetry, Prison, and Two Lives" by Judith Tannenbaum and Spoon Jackson


Get it here: http://www.newvillagepress.net/book/?...

Dr Nick Mount of Toronto University on Waiting for Godot



What are the 3 Unities of Drama as outlined by Aristotle in his text "POETICS"?
Unitiesin drama, the three principles derived by French classicists from Aristotle’s Poetics; they require a play to have a single action represented as occurring in a single place and within the course of a day. These principles were called, respectively, unity of action, unity of place, and unity of time. These three unities were redefined in 1570 by the Italian humanist Lodovico Castelvetro in his interpretation of Aristotle, and they are usually referred to as “Aristotelian rules” for dramatic structure. Actually, Aristotle’s observations on tragedy are descriptive rather than prescriptive, and he emphasizes only one unity, that of plot, or action. (Sourced from ENCYLOPEDIA BRITANNICA)




Friday, 21 April 2017

ESSAYS - THE WRITING PROCESS and Creating a Good Thesis Statement



    
The Writing Process - very helpful video above. Students should also study the video below on Thesis Statements.


    




Wednesday, 22 March 2017

Wordsworth's LYRICAL BALLADS COLLECTION and it's PREFACE



CLICK BELOW FOR THE GUARDIAN REVIEW

https://www.theguardian.com/books/2013/jul/19/lyrical-ballads-wordsworth-coleridge-stafford-review

Lyrical Ballads, in case you missed it, is, quite simply, possibly the single most important collection of poems in English ever published. It came out in two editions, one of 1798 and one of 1802, the large majority of the poems in each written by Wordsworth. There are enough differences of content between the two editions for them to be usually published, along with the critical apparatus, in one volume, one after the other. The 1798 edition has a short "advertisement" as an introduction, warning readers that the poems within "were written chiefly with a view to ascertain how far the language of conversation in the middle and lower classes of society is adapted to the purposes of poetic pleasure". In other words, the high-falutin' poetic diction of the 18th century was renounced; plain speech, with as many monosyllables as possible, took its place, and nothing was ever the same again. Its effects are still with us, remarkably. The 1802 edition, much longer, also has a longer Preface, which amounts to a manifesto for what came to be known as Romanticism in particular; and poetry in general.

Understanding Picasso, How To Read Guernica? - Smart Art History #5

Monday, 6 March 2017

ART is lie that makes us realise the truth... do you agree?

Pablo Picasso

“We all know that Art is not truth. Art is a lie that makes us realize truth at least the truth that is given us to understand. The artist must know the manner whereby to convince others of the truthfulness of his lies.”


― Pablo Picasso

Professor Edith Hall on Euripides' Medea

Tuesday, 14 February 2017

Why Arthur Miller Wrote "The Crucible"

Baudrillard - ideas and concepts

James Joyce - Ulysses: Molly Bloom's Soliloquy, The Last 50 Lines

 





…I love flowers I’d love to have the whole place swimming in roses God of heaven there’s nothing like nature the wild mountains then the sea and the waves rushing then the beautiful country with fields of oats and wheat and all kinds of things and all the fine cattle going about that would do your heart good to see rivers and lakes and flowers all sorts of shapes and smells and colours springing up even out of the ditches primroses and violets nature it is as for them saying there’s no God I wouldn’t give a snap of my two fingers for all their learning why don’t they go and create something I often asked him atheists or whatever they call themselves go and wash the cobbles off themselves first then they go howling for the priest and they dying and why why because they’re afraid of hell on account of their bad conscience ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they don’t know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said was a flower of the mountain yes so we are flowers all a woman’s body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldn’t answer first only looked out over the sea and the sky I was thinking of so many things he didn’t know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the Jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharans and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down Jo me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.







Tuesday, 17 January 2017

MARTIN LUTHER KING The Children of Birmingham 1963 and the Turning Point of the Ci...



  

The political and social background to the campaign for Equal Civil Rights and Equal Treatment for all races.

The injustice of inequality - 

DISCRIMINATION AND SEGREGATION   

led to the rise of Martin Luther King and the non-violent CIVIL RIGHTS RESISTANCE TO INJUSTICE.
I HAVE A DREAM SPEECH ANALYSIS - 
CLICK BELOW HERE
http://sixminutes.dlugan.com/speech-analysis-dream-martin-luther-king/

Friday, 13 January 2017

Why Shakespeare loved iambic pentameter - David T. Freeman and Gregory T...

Thesis Statements: Four Steps to a Great Essay | 60second Recap®

CIA, Chile & Allende - DEATH AND THE MAIDEN - ARIEL DORFMAN



ABOVE - THE POLITICAL BACKGROUND TO CHILE IN 1973

SEPTEMBER 11TH 1973 - THE CIA BACKED GENERAL PINOCHET IN A COUP AGAINST THE DEMOCRATICALLY ELECTED PRESIDENT SALVADOR ALLENDE.

BELOW - HOW THE FOOTBALL STADIUM BUILT TO CELEBRATE 'THE BEAUTIFUL GAME' BECAME A PRISON OF TORTURE AND MURDER.
GENERAL PINOCHET ARRESTED THOUSANDS OF CHILEAN PEOPLE HE SUSPECTED OF BEING LOYAL TO THE MURDERED PRESIDENT ALLENDE.
IN THE PLAY DEATH AND THE MAIDEN - PAULINA AND GERARDO (FICTIONAL CHARACTERS IN A FICTIONAL PLAY INSPIRED BY REAL POLITICAL EVENTS)
TIMELINE
1970 ALLENDE ELECTED IN A FREE DEMOCRATIC ELECTION
1973  GENERAL PINOCHET SEIZES POWER IN A MILITARY COUP. THE ELECTED PRESIDENT DIES OF GUNSHOT TO THE HEAD IN HIS OFFICE.
1990 - THE MILITARY AGREES TO GIVE PERMISSION FOR A RETURN TO DEMOCRACY.
BUT GENERAL PINOCHET IS PROMISED IMMUNITY FROM PROSECUTION FOR HIS LIFETIME. ALSO THE MILITARY ARE ALLOWED TO KEEP ONE THIRD OF ALL SEATS IN THE PARLIAMENT - WITHOUT STANDING FOR ELECTION.
DORFMAN RETURNS TO CHILE 1990 - SEE HIS AFTERWORD TO THE PLAY.



LIVERPOOL UNIVERSITY DRAMA SOCIETY

Thursday, 5 January 2017

Salman Rushdie and Arundhati Roy interview on Charlie Rose (1997) - Suggested by Tamanna Grade X1








Although this interview is 10 years old it may interest students to consider the views expressed here. Thank you Tamanna for sending me this link.